Google and Les Paul Make Great Internet

June 9th, 2011

Today’s Google Doodle is great Internet. With an incredibly simple execution that let’s a user strum a guitar, record their music and share it with the world, Google put all that drives today’s Internet on display for the world to mess with.

Here’s why it’s great and what everyone who creates digital communication (myself included) should strive for.

1. It’s dead simple
You move your mouse up and down and it works. You press a button and it records. It gives you a link and you can share it. There’s not opt ins, no privacy concerns, no extraneous steps.

2. It let’s everyone be creative
So much of what we do online is about making, creating and mashing up. With a ridiculously low barrier to entry everyone can play.

3. Record and Share
So simple and absolute genius. As I was strumming I said to myself, “It would be cool to share what I’m doing and see what some real guitar players can do here.” Then I saw the button and was totally impressed. It turns this execution not just into a time waster, but a game to see what you can do and who can do better. Sharing is how the Internet works and it’s working perfectly here.

4. Automatic Distribution
It’s not like Google needs more traffic, but they guarantee themselves more on their homepage today though the sharing of the doodle. They made something awesome. People like it so they shout about it by sharing their work. Same as a great dish at a restaurant or a great band at a club. Do cool stuff that people can have fun with and they’ll tell their friends.

5. It doesn’t take itself to seriously
Google has fun with its logo all the time. That’s nothing new, but when it lets people actually play with it and mess around with its identity, it fully embodies the hacking spirit of the web. People like to make stuff and mess with hierarchy. You can do both with the Google Doodle. It shows that something that is serious business, Google and search, can be damn fun. It shows that Internet is serious business but we can have a very good time with it.

It’s phenomenal that something so simple can accomplish all this. I think it’s a new benchmark.

What do you think? What are some other examples of executions that embody the spirit of the web this well.

I want my apps word of mouth

March 24th, 2011

Apps are like bands. Word of mouth is always a better way of hearing about one than through media coverage.

When it’s word of mouth it feels cool like your friend is helping you discover something. When it’s media coverage it feels like the machine is telling you about something that is already guaranteed to be big.

When it’s word of mouth it’s Instagram, memolaneThe Situationist, TV On The Radio or Portugal The Man. When it’s news it’s Path or Color, Arctic Monkeys or Kings of Leon.

Instagram feels like you’re involved in a community of people discovering just how something works and figuring out what makes it cool or forgettable. It’s the same as a band you hear about through word of mouth. There is some collective ownership of the people who catch them on the way up.

Color, its $40 million funding and its “leaked” pitch deck feel like overplay on the radio and a Rolling Stone cover.

This notion feels directly in line with what Lucius Kwok wrote last week about The Slow Company Movement on Felt Tip blog. “The idea behind the Slow Company movement is that instead of trying to be the first or to get the most mindshare or market share of any company in your vertical, you try to make something that people genuinely find useful and are willing to pay for it.”

The bands that play the bars, get a following and then grow from there, discover who they really are and learn about their fans. Phish is a great example. Love them or hate them, they know their fans and they’ve been packing arenas for nearly 20 years. Apps that come out quietly rather than launch, give themselves the opportunity to be discovered and grow a fanbase that is proud to share the app with their friends seem to have a better chance at longterm success. Facebook seems to be a reasonable example of this model.

Young bands that sign the record contract get distracted from the real work of becoming a great band. The contract may bring some initial cash, but is also exposes the band to a lot of people at once, many of whom may not be the right audience at all. The same thing can be said about a big TechCrunch article that becomes a distraction for an app or web service that is just trying to walk, but all of a sudden is expected to fly.

It’s as though my first interaction with Color has to be a reaction to what’s been written and what’s expected from the app that got more money from Sequoia than Google did. Whereas my first experience with Instagram is just me hearing about something new and taking time to discover what it’s all about.

With Color, the conversation is – “This app got $40 million. There’s a lot of hype. I don’t get it.”

With Instagram, the conversation is – “I’ve heard good things about this. It’s a rad way to take cool pictures and share them. My friends should check this out.”

Both of these conversations may be right or wrong. It just seems to me that developing a groundswell of users to become advocates of your app is a better way of “launching” than coming out as the next big thing with a bunch of dollars behind you.

Color may be a great app. It’s just a question if we’ll give it time to mature.

What do you think? Do you see the parallels? Any other examples of bands or apps?

Young+Stupid at W+K

November 15th, 2010

I got my first crack at the Wieden+Kennedy blog last week. I chose to write about keeping a young perspective and walking into work stupid everyday. Staying young was inspired by my mother in law who just went all in on an iPhone, iPad and MacBook Pro. The stupid part is a core tenet at W+K.

Feedback on the blog has been great. You can read it here.

Do your thing and do it well

August 20th, 2010

Last weekend a friend of mine tried to open a beer with a Swiss Army Knife bottle opener. She failed. I’m sure the opener works, but I was left with the thought that sometimes when something tries to be everything, it often isn’t as good as its competition which is focused on doing one thing really well. The latter category includes bottle openers and Foursquare. The former, Facebook Places.

Facebook Places is interesting and may become a juggernaut. I’m a digital optimist so I’ll be using it. However, before we declare Foursquare and Gowalla goners there are a few things worth thinking about.

  1. The Facebook Places check ins will litter your feed. If this catches on, expect to see streams of check ins throughout your newsfeed. FB has done a good job of organizing birthday wishes and check ins by multiple people at the same place to be under one item, but if everyone starts checking in it could get ugly.
  2. Typically people have a smaller group of friends on foursquare and these are people whom they actually want to know where they are. With hundreds of friends on facebook, we all know there are many we don’t know that well or don’t really care about, let alone want to know where we are. Part of the beauty of Foursquare and the other check in apps are the smaller groups of friends with whom you can have an ongoing conversation. Read the rest of this entry »

Gandhi Via PPT

July 30th, 2010

Last night Renny Gleeson from W+K Portland tweeted, “think how much further his thinking would have spread had Gandhi leveraged powerpoint.” No doubt Renny was making a comment on how common and overused a tool Powerpoint has become for conveying thoughts, plans and ideas in the modern day. These points were raised in this distressing NYTimes piece about Powerpoint usage in the military.

I was sitting at the Oakland airport waiting for a delayed flight when I read the above tweet so I decided to take a crack at conveying Gandhi’s teachings in a 10 slide Powerpoint deck. Let me know what you think and what you would change.

Defending Foursquare

June 17th, 2010

Time Magazine’s inclusion of Foursquare on its list of the 50 Worst Inventions is incredibly short sighted and a perfect example of someone (in this case a stumbling media entity) not understanding new technology or giving it a proper opportunity to mature. The 50 Worst list is questionable for many reasons, not the least of which is that somehow none of Time Life’s country music box sets or complementary infomercials made the list.

Foursquare, the geo-location social gaming app, is on the list alongside other inventions such as Agent Orange, subprime mortgages and DDT. The writer, Kristi Olloffson, calls it, “Just another tool tapping into a generation of narcissism, with which you can earn badges for checking into your local Starbucks more than anyone else.”

Narcissism is the easy out on Foursquare the same way calling Boulder a hippie town is a tired reference that has remnants of truth, but misses a much bigger more exciting story. The same way a deeper look at Boulder reveals it to be a hotbed for startups, a deeper look at Foursquare shows its value goes well beyond narcissism and gets into gaming between friends, group communication where shouts from the app turn into mass text messages and multiple opportunities for jokes that come in the form of tips, to dos and venue names.

One of Time Life's classic offerings.

My guess is that Olloffson spent very little time with Foursquare or could just use some friends who are a bit more creative.

My check in at a posh hotel or the DMV can be viewed as narcissistic the way Oloffson sees it or can be seen as an opportunity for each of my Foursquare friends to interact with me. The app’s potential and power go far beyond boastful chest pounding and lie in its ability to bring fun and meaningful interactions to our everyday common experiences.

When I check in to a new restaurant, I can look at the tips for help on what to order. A check in at a coffee shop, can entice a nearby friend to join me (Squarendipity). A celebratory check in on my first day on the job can draw encouraging shouts of, “Good Luck.” When I check in to a far away airport I can laugh at the hilarious tip or to do left by friends to greet me.

Many people think Foursquare’s potential can only be reached when real world benefits derived from a users’ check ins become the norm. The real world benefits usually proposed are a free beer or bagel for the mayor of an establishment. Read the rest of this entry »

Ignited

June 7th, 2010

The second slide of my spark at Ignite Boulder 10 included a picture of adorable baby foxes. When they hit the screen, the sold out crowd of 875 people at the Boulder Theater oohed and cooed. They were with me and I knew the next 4 minutes and 45 seconds would be a great ride for the 876 of us.

From the moment I stepped on stage until Andrew Hyde handed me my Ignite Boulder trophy of excellence, the energy from the crowd was palpable and electric. I told myself to completely embrace that and enjoy it because that feeling doesn’t come around often. I succeeded.

In the many times I ran through my spark before the event, time whipped by. When I walked on stage I was confident, but unsure how it would go down. Then there were laughs, cheers and the support of my friends down front and everything slowed down.

As I went through the spark, I felt a comfort and ease that I rarely feel on a regular day. As I watch the YouTube video, it goes by fast, but on that night I felt like I had all the time in the world to deliver my message.

That message is that it’s time to move beyond debate on settled issues. Those issues range from the serious, like global warming and carbon emissions to the slightly absurd like no longer naming events Paloozas. Once we put these aside, I believe we can tackle important and world shaping issues more effectively together as a global community.

The crowd responded with laughter, cheers, applause, many nice words later and some wonderful tweets over the following week. In return I offer my profound thanks for the incredible support and energy they provided me with that night. Those five minutes on stage are something I will be able to tap into for a long time when I need a little extra to get me through a hard day or major challenge.

Boulder brings it when it comes to collaboration and motivation for ideas and taking risks. Ignite Boulder brings that all together. I am glad to have been a part of it and certainly hope to do it again.

Bidding Farewell To Boulder Digital Works

June 3rd, 2010

I first read about Boulder Digital Works while sitting in a condo on Maui overlooking a lagoon full of giant turtles. I was drawn into an article by the words Hyper Island, Bogusky and America.

The view from BDW's roof.

As I read the article my eyes welled up and a chill went down my spine. It was as clear as the water outside my room that life was pointing me back to Boulder and I had to be a part of the first class at BDW.

The next day I stood on a beach watching the surf roll back and forth over my feet and said to my wife, “I feel like this is what I have to do.  It’s going to expose me to rock stars in the industry and teach me a ton. It’s going to get me a shot at a major agency and it’s going to be written up in things like Fast Company and The New York Times. I’ve got to be a part of the first class.”

Ten months later and seven months after starting we’ve got our New York Times piece, I’ve met a list of people that looks like an interactive media fantasy team and I’m leaving Boulder to start work as a strategist at Goodby, Silverstein and Partners.

Game. Set. Match.

The Goodby way.

The program is by no means perfect. It is a startup in its infancy striving to find its way. Our New York Times piece was nice, but in my opinion missed what has been the program’s greatest success—its ability to draw the most passionate people in the interactive world to one place.

From the first two classes of 60 Weeks students currently enrolled to the visionaries who lead the three day workshops and the professionals enrolled in the workshops to our Board of Directors, our space in downtown Boulder has become a catalyst where people can share ideas, war stories, inspire and be inspired.

When you fill a room with interactive professionals from some the world’s most demanding shops, 20-something digital native students hungry to get to work, entrepreneurs, folks struggling to grasp the changing landscape and clients from some of the world’s biggest brands you create an amazing atmosphere where titles and salaries fade away. What’s left is an exciting collaboration that reflects the state of interactive media we are all striving to understand and cultivate.

There are some people who need to be recognized for helping to create and foster this atmosphere of exploration and collaboration. That list starts with Crispin Porter + Bogusky. It begins with Chuck Porter and Winston Binch and continues on down the line to many from the agency’s staff. At every turn CP+B has been incredibly generous with its time and knowledge. In addition their effort to bring other companies and professionals into the fold at BDW has been staggering. From Modernista to Mullen and Goodby to BBH we’ve been exposed to some of the best people at top agencies.

Local support has also been incredible highlighted by folks like Robert Reich from the startup community in Boulder and some great local shops like EffectiveUI and Moxie Sozo.

The people I would like to recognize the most are my fellow students in the 60 Weeks Program. Over the past seven months I have watched them struggle, thrive and grow immensely. As the staff at CU and BDW have worked to figure our how the program should actually function, the students have forged ahead seeking out expertise or additional work. The 16 people in the program are all very different. The one thing they have in common is they took a chance on an unproven program because of the passion they have for digital and interactive media.

That will never be true again. I’m leaving for Goodby and soon our other students will have internships lined up at some of the most innovative companies on the planet. BDW will soon transition from an unknown startup with limitless potential to a proven entity. With that will come a different type of student. Though I’m excited to meet the talented and hungry people in classes to come, I’m glad to have shared my time here with people who leapt from a cliff not knowing where they would land.

I will miss Boulder Digital Works. I believe I’ve left my mark. I’ll be back often to make sure that mark remains, but also to share, teach and learn with the best.

Digital Self Portrait

May 9th, 2010

This my latest design project. It is a digital self portrait. The original photo of me was taken with Jake Johnson’s camera which was placed inside of a refrigerator. The background is a cutout of my smile. At work here are some blur and overlay techniques. With each of these projects I go in with some basic ideas and in case have ended up with something different partly thanks to vision and partly thanks to happy accidents.

Eyes Tell

April 28th, 2010

Dan Viens: Eyes Tell

Another piece for Advanced Media at Boulder Digital Works. We were asked to put together a piece that reflected a two word phrase comprised of a noun and a verb. I chose “Eyes Tell”.